Udo kultermann biography sample
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On November 20, 1982, the Second International Exhibition of Architecture, organized by the Biennale of Venice, welcomed its visitors. Although the art exhibitions have a history dating back to 1895, it was only in 1980 that a new section dedicated to architecture was added. Both the inaugural (1980) and second (1982–83) architecture exhibitions were overseen and curated by the renowned Italian architect and architectural theorist Paolo Portoghesi, a prominent figure in the postmodern movement in architecture.
Strada Novissima, located along the Corderie dell’Arsenale and featuring twenty facades designed by twenty different architects, stood as the centerpiece of the first Venice Architecture Biennale. This famed installation became emblematic of a field in transition, sparking an early international debate on postmodern approaches to architecture. The three-dimensional nature of the installation further blurred the boundaries between architecture and its representation, prompting a conversation about the role of architecture within exhibition culture, especially in the context of a Venice Architecture Biennale in its infancy.
In contrast to the widely recognized first architectural exhibition, the second one on the theme of architecture in Islamic countries has nearly
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Konstruktivisten
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Review of Udo Kultermann, The History of Art History. S.L. [New York]: Abaris Books, 1993
ART/ARCH LIBRARY YALE UNIVERSITY ART LIBRARIES JOURNAL Revue de Bibliotheques d'Art Zeitschriftfiir Kunstbibliotheken Revista de Bibliotecas de Arte NMI Association and co-operation: the U.K., Ireland, Scotland, Norway and Moscow Art libraries in Slovenia, Romania and Lithuania Reviews VOLUME 20 NUMBER 1 1 5 9 9 ART LIBRARIES JOURNAL 1995 20/1 rn rn Cl) The World's Master Paintings: from the early Renaissance to the present day. A comprehensive listing of works by 1,300 painters and a complete guide to their locations worldwide, compiled by Christopher Wright. London and New York: Routledge, 1992. 2 vols; 1807 pp.; ill. ISBN 0-41502240-1; $450.00. The Oxford Guide to Classical Mythology in the Arts, 1300-1900s, by Jane Davidson Reid, with the assistance of Chris Rohmann. New York and Oxford: Oxford University Press, 1993. 2 vols.; 1336 pp. ISBN 0-19-504998-5; $195.00. The History of Art History, by Udo Kultermann. S.I.: Abaris Books, 1993. 278 pp.; portraits; ISBN 0-8983505507; $49.50. Max Marmor, Art & Architecture Library, Yale University, New Haven, Connecticut, USA ART LIBRARIES JOURNAL 1995 20/1 The World's Master Paintings: from the early Renaissance to the present