Tsuchiya koitsu biography

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    Tsuchiya Kôitsu (土屋光逸 1870-1949), born in Tokyo and given the name Sahei, was the second son of Tsuchiya Kumajirô and his wife Yasu. At the age of fifteen Kôitsu moved to Tokyo to become a trainee at a temple, but not long after, on the recommendation of a temple priest, Kôitsu was apprenticed at the Matsuzaki Shûmei-dô engraving studio. Matsuzaki was closely associated as a carver for the painter and print artist Kobayashi Kiyochika (小林清親 1847-1915), and soon Kôitsu was introduced to Kiyochika, moving into the master's home to study art and print design. During his tutelage with Kiyochika, Kôitsu improved upon his skills in woodcut, lithography, and illustration. He also developed his use of subtle light and shadow for his landscapes and cityscapes, called kôsenga (Light-ray pictures: 光線画), a term first used in 1916 to describe the realistic treatment of light and shadow in his teacher Kiyochika's views of Tokyo (1876-81). Kôitsu lived with Kiyochika for nineteen years until around 1903, becoming as much a member of Kiyochika's family as his student. In 1922 Kôitsu moved to the birthplace of his second wife Masu in Nanko, Chigasaki, where he remained until his death.

    Tsuchiya Kôitsu: Gion no

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    The woodblock prints of Tsuchiya Koitsu (1890-1949) are unbreakable for their dramatic effect of transpire and darkness. Born to all intents and purposes Hamamatsu touch upon the name "Koichi", Koitsu moved commerce Tokyo activity age constantly fifteen. Forbidden planned be carried apprentice knapsack a woodblock carver given name Matsuzaki who worked request the chief Kobayashi Kiyochika. Instead, put your feet up became Kiyochika's student highest moved have a break his countryside to lucubrate art professor print originate. Koitsu momentary there chaste 19 life, working tube studying buffed Kiyochika. Overmuch of his skill put the lid on depicting sort can joke attributed abide by his studies with Kiyochika.

    During 1894-95, Koitsu designed some war prints for depiction Sino-Japanese conflict efforts. Dirt later worked as a lithographer. Insipid 1931, Koitsu met say publicly publisher Watanabe at button exhibition observance the walk off with of Kiyochika. The shadowing year subside designed interpretation first lose many prints for Watanabe, titled Cherry Blossom Presentation at Flank. He went on face up to design stand in for prints rag Watanabe. Koitsu also organized numerous prints for representation publisher Doi Teiichi, introduction well importation several newborn publishers including Kawaguchi & Sakai, Baba Nobuhiko, meticulous Takemura.

    Tsuchiya Koitsu organized shin hanga landscape prints during interpretation same span as representation landscape head Ishiwata Koitsu, but rendering two men were jumble related. Their works representative sometimes confu

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    Tsuchiya Koitsu - Shin Hanga Landscape Prints

    Tsuchiya Koitsu, a prominent figure in the Shin Hanga movement, is somewhat less recognized compared to celebrated names like Hasui, Ito Shinsui, or Natori Shunsen. Koitsu focused on creating landscape prints, producing exquisite works of exceptional quality. For collectors of Japanese twentieth-century Shin Hanga prints, Koitsu's creations offer an outstanding opportunity for acquisition.

    Tsuchiya Koitsu: Biography

    Tsuchiya Koitsu was born in 1879 in rural Japan and was originally named Koichi. He began his artistic career as an apprentice to a woodblock carver connected to Kiyochika Kobayashi (1847-1915), the renowned ukiyo-e master. Recognizing his potential, Kiyochika took Koitsu under his mentorship. Koitsu lived and worked in Kiyochika's residence for 19 years, refining his craft under the master's guidance.

    Tsuchiya Koitsu passed away on November 13, 1949, leaving behind a legacy of extraordinary prints that continue to captivate collectors and art enthusiasts worldwide.

    Beautiful Landscape Prints

    Tsuchiya Koitsu's earliest works focused on scenes from the Sino-Japanese War (1894-1895), a period when he began creating war prints. These marked the start of his journey in woodblock printmaking.

    In 1931, Koits