Manjit bawa biography definition
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Born in 1941 in Dhuri, Punjab, Manjit Bawa received a national diploma in fine arts from the School of Art, Delhi Polytechnic in 1963 and a diploma in silk screen painting from the Warden Institute of Essex, England, in 1967. In the late sixties, Bawa worked as a serigrapher in London and even taught painting at the Institute of Adult Education, England. In 1998, he started the organization Sama’a with Ina Puri to promote art and artists.
Over his career the artist attended several art camps including the Lalit Kala Akademi sponsored artist’s camp in Chennai, Graphic Camp 3 and a serigraphy camp in New Delhi, a printmaking camp in Bhopal, a graphic workshop at the Hokkaido Museum in Japan, among others.
Some of his notable posthumous exhibitions include ‘Let’s Paint the Sky Red’ at Vadehra Art Gallery, New Delhi (2011); ‘Time Unfolded’ at the Kiran Nadar Museum of Art, New Delhi (2011); ‘Dali’s Elephant’, Aicon Gallery, London (2010), to name a few. In his lifetime he participated in a number of solo shows, including Sakshi Gallery, Mumbai (2006, 2005); Jehangir Art Gallery, Mumbai (2005); Bose Pascia Modern, New York, (2000); and Fine Art Gallery, Mumbai (2000), among others. His group shows includ
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Manjit Bawa was born in Dhuri, Punjab in 1941.
His luminous works on canvas represent a unique exploration of color, form and space, drawing the viewer into an intimate experience of the artist's world. The artist's distinctive use of color was grounded in his formal training as a serigrapher and printer.
Bawa studied serigraphy at the London School of Printing, Essex and worked in London as a print maker from 1967 to 1971. Back in India, fellow artist Jagdish Swaminathan invited him to start a print making department in Bhatat Bhavan, Bhopal. Bawa enjoyed making serigraphs not only of his own works but also for his artist friends. For his own prints he experimented with shapes and stark backgrounds that later became a part of his iconography as a painter. The artist reinvented the free floating form, which later became figures, by incorporating his early study of the forms and colors of Rajput and Pahari miniature paintings. His subjects were often inspired by icons and myths which represent the dual polarities of the human and animal world; although they share the same environment they 'occupy separate mental universes'. Bawa's works question the dynamics of these relationships, how one communicates with the other.
A critical and transformative moment in Bawa’s career ca
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1941 -2008
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Manjit has held several exhibitions around say publicly world venues including picture Centre quota International Further Art (CIMA)