Lucilla galeazzi biography examples
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News of the Muse
A celebration of voice.
By JERUSALEM POST STAFFA celebration of voice Vocal music is the focus of the eighth Felicia Blumental Festival from May 22 - 27 mostly at the Tel Aviv Museum of Art with forays to Or Yehuda and Kibbutz Eilon. "A Gallery of Voices" features French counter-tenor Philippe Jaroussky, young Italian soprano Lucilla Galeazzi, Voces Musicales, a young and prize-winning choir from Estonia and l'Arpegiatta ensemble led by baroque harp virtuoso Christina Pluhar, a choir whose musicians come from all over Europe. The first concert is Naomi Shemer A Capella with the New Vocal Ensemble. Galeazzi will perform medieval and baroque music with l'Arpeggiata in Al Improvviso (23/5). Jaroussky will perform (24/5) in a program devoted to the "sweetness and torment of love" with music by such as Monteverdi and Uccelini. The Estonian Choir will present the Israeli debut (25/5) of his requiem by Michael Haydn, Josef's younger brother. Every afternoon there will be The Music Fair, mini-concerts in the museum galleries as well as movies between 5-8 p.m. As always, the festival starts with a free Meet the Artists program at 6:30 pm. - Helen KayePitching her tent During the first two weeks of May, French artist Clara Halter will create an installation she c•
Lucilla Galeazzi is a singer, writer and researcher of folk music. She was born in Terni, in the central Italian region of Umbria. Galeazzi began singing at the age of 15 with a pop group formed together with friends, only becoming interested in folk music a little later on, when she worked alongside researcher Valentino Paparelli, an expert on the musical traditions of Umbria, and in particular the area of Valnerina.
In 1977 Giovanna Marini, impressed by her voice, asked her to be part of her up-and-coming Quartetto Vocale (vocal quartet), an ensemble which reached popularity both at home and abroad in the space of a few years. With the Quartetto Lucilla performed in some of the most important theatres of Europe; furthermore, singing the original and complex music of Marini helped Lucilla develop an impressive technique and refined musical sensitivity.
During this period she also worked with several jazz musicians and composers, with whom she made some interesting recordings (Anninnia and Per Devozione).
From 1986 onwards she sang in some of the works of the great Roberto De Simone (who inspired Neapolitan movements such as the Nuova Compagnia di Canto Popolare): for example, ?Stabat Mater?, ?Carmina Vivianee? (1987), Mistero e Processo di Giovanna D’Arco, Requ
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Bella Ciao |
Riccardo Tesi, Lucilla Galeazzi, Elena Ledda,
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