Little mermaid sketch glen keane biography
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Glen Keane: Good, True, and Beautiful
Charlie Melcher:
Hi, I’m Charlie Melcher, founder and director of the Future of StoryTelling. Welcome back to the FoST podcast. My guest on today’s episode is Glen Keane. As lead animator at Walt Disney animation studios, where he worked for nearly 40 years, Glen animated characters for some of the world’s most memorable films, including The Little mermaid, Aladdin, and Beauty and the Beast. His work helped bring about what is commonly referred to as the second golden age at Disney. Since leaving Disney, Glen has pursued a wide range of projects with collaborators as varied as the Paris Opera, Google and basketball legend Kobe Bryant.
Charlie Melcher:
In 2018, Glen and Kobe won an Academy Award for best animated short film for Dear Basketball, which was Kobe’s love letter to the sport as he retired. The core of Glen’s artistry is his ability to create characters that feel real; that come to life before your eyes, as if at any moment they might jump off the page or out of the screen. Classically trained, Glen likes to work with pencil and paper, but he has also remained a tireless innovator and pioneer in adopting new techniques and technologies to expand the range of his craft.
Charlie Melcher:
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“I always wanted to draw ever since I can remember,” Glen Keane once recalled, and as soon as he could hold a pencil in his hand, there was no stopping him. Throughout a life devoted to art—and nearly 38 years as an animator at The Walt Disney Studios—Glen’s towering imagination has dreamed up starry-eyed maidens, a coarse and unrefined beast who discovers love, and a diamond in the rough who became a prince.
Born April 13, 1954, Glen grew up in Paradise Valley, Arizona. His father, cartoonist Bil Keane, created the long-running Family Circus comic strip, and so sketch pads and freshly sharpened pencils were never difficult to find around the house.
Torn between his love of football and his desire to become an artist, Glen eventually decided to attend the California Institute of the Arts, enrolling in the Film Graphics program as an animation student. Despite initially not knowing anything about animation, he soon came to embrace the art form.
In September 1974, he accepted a position at Disney as an animator. Glen was one of a new generation of animators brought in to be tutored under Walt’s remaining veterans as they approached retirement.
To continue the legacy of Disney animation, this new class of artists would have to learn the
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