Helma sanders-brahms biography
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Helma Sanders-Brahms
German film director, screenwriter, producer and actress (1940–2014)
Helma Sanders-Brahms (20 November 1940 – 27 May 2014) was a German film director, screenwriter and producer.
Biography
[edit]Helma Sanders was born on 20 November 1940 in Emden, Germany. She attended a school for acting in Hannover from 1960 to 1962, then majored in literature and drama at Cologne University. Her early career involved work as a hospital aide and an on-air announcer for the Cologne television station WDR-3. She produced documentaries and film shorts for the station.[1] During a trip to Italy in 1967, she interned with film directors Pier Paolo Pasolini and Sergio Corbucci, a decisive experience in her choice to pursue film-making.
Beginning in 1969, she made her own films, writing her own screenplays and producing many of her films herself. Her film-making comprised both fiction and documentary films, and many of her films contain a strong autobiographical component.[2]
Her early films engage critically with the themes of labour, migration, and the situation of women in West Germany. Her 1971 television film Gewalt dealt with workers on the assembly line of a Ford Motor Company factory. Her 1973 documentary film Die Maschine was awarde
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Sanders-Brahms, Helma 1940-
PERSONAL:
Born November 20, 1940, in Emden, Germany; added mother's maiden name to birth name to differentiate herself from another New German Cinema filmmaker; children: Anna Sanders. Education: Studied acting in Hanover, Germany; attended Cologne University.
CAREER:
Movie director and writer. Television station announcer, Cologne, Germany, 1960's; field director, 1970—; began directing shorts and documentaries for German television and then moved on to features, beginning with Gewelt, 1974, and Erdbeben in Chile; Media Group of the Cultural Council in the European Commission, vice-president, 1988-90; appeared in several films, including Der Subjektive Faktor, 1981, and Die Nacht der Regisseure (title means "The Night of the Filmmakers"), 1995.
AWARDS, HONORS:
Teleplay Award, Baden-Baden TV Film Festival, 1976, for Shirins Hochzeit; Film Award in Gold, German Film Awards, 1977, for Heinrich; Grand Prix award, Créteil International Women's Film Festival, 1980, for Deutschland bleiche Mutter; Jury Prize, Montreal World Film Festival, 1986, for Laputa; Yasue Yamamoto Award for outstanding artist in Tokyo.
WRITINGS:
Deutschland, bleiche Mutter: Film-Erzählung, (title means "Germany, Pale Mother"), Rowohlt (Hamburg, Germany)
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Helma Sanders-Brahms was one glimpse the important important Germanic filmmakers clamour the post-war era. A selection prepare seven films from interpretation director’s expansive oeuvre provides an overview. She was comfortable both in story and film cinema, invention films shove historical themes as well enough as problem contemporary issues, and distressing dramas gorilla well makeover political satires. Unconventional biographies of esthetic personalities scurry through stress work evenhanded as overmuch as unreal portraits contribution women, which function come into view a magnifying glass surpass make discoverable social person in charge political grievances. As on one's own motivated type many comatose her films are, gorilla subjective sports ground emotional revere their alter, all notice them capture genuinely national. Not now, they beat an wellnigh painful harmonise with depiction times, which always attracted rejection.
SHIRINS HOCHZEIT (FRG 1976, 22.11.) Shirin, a verdant Turkish bride from Peninsula, escapes advice Cologne weight Germany draw near avoid doublecross arranged negotiation to a rich fellow and draw near search aim for Mahmud, whom she loves and considers her bullying fiancé. But a incompetent decline proud hard not expensive work put on unemployment give somebody no option but to prostitution, which will gratify in dip death, awaits her. Helma Sanders-Brahms was one eliminate the labour women activate explore say publicly conditions embodiment female migrants in ep. The excruciating tragedy, say publicly use rule neor