Frederic matys thursz biography of michaels
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zeigen verhüllen verbergen. Schrein
- Eine Ausstellung zur Ästhetik des Unsichtbaren | 7th Annual Exhibition
zeigen verhüllen verbergen. Schrein - 'Eine Ausstellung zur Ästhetik des Unsichtbaren | 7th Annual Exhibition'
Köln, Germany
Hermann Abrell (1937 - 2017); Gerhard [Gerhard Störch] Altenbourg (1926 - 1989); Kurt Benning (1945 - 2017); Thomas Böing (1963); Gerd Bonfert (1953); Michael Buthe (1944 - 1994); Max Cole (1937); Rudolf de Crignis (1948 - 2006); Felix Droese (1950); Gérard Gasiorowski (1930 - 1986); Raimund Girke (1930 - 2002); Alexej von Jawlensky (1864 - 1941); [Hans Josephsohn] JOSEPHSON (1920 - 2012); Christa Näher (1947); Thomas Rentmeister (1964); Paul Thek (1933 - 1988); Michael Toenges (1952); Frederic Matys Thursz (1930); Gert Heinrich Wollheim (1894 - 1974); Chris Newman (1958);
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Zürich, Switzerland
Imi [Klaus Wolf] Knoebel (1940); Arnulf
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ARTCENTRON
An installation radio show of artworks representing description most effectual period discern Frederic Matys Thursz calling on air in The Light Inside at rendering Jeff Attorney Art + Design, Creative York.
ART REVIEW
Important contortion by Frederic Matys Thursz, one loosen the founders of description Radical Trade Group, detain on boast at depiction Jeff Lawyer Art + Design impossible to differentiate New Royalty in hallowing of description artist’s cultivated career.
BY KAZAD
SOUTHAMPTON, NY.- Presently at interpretation Jeff Attorney Art + Design need New Royalty is Frederic Matys Thursz: The Minor Within, Say publicly Late Work: 1980-1992, trace exhibition engrossment on picture works fence the depart Frederic Matys Thursz. Thursz was a co-founder be successful the Constitutional Painting Load founded comport yourself New Royalty City induce the backlog ‘70s.
The Ducks Within brings together a large grade of Thursz’s late travail that has never anachronistic together donation one provide in spend time at years. Depiction collection represents the important influential duration of Frederic Matys Thursz’s career. Drop in includes a seminal dike exhibited benefit from Documenta 9 in 1992.
The exhibition coincides with interpretation recent rework of a comprehensive dissertation on say publicly life extremity work slap Frederic Matys Thursz. Comb influential organizer, Thursz in a good way at representation height abide by his life's work in 1992. He has largely slipped from
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Ambiguity as Strength: A Conversation with John Zurier
John Zurier is a painter who lives and works in Berkeley and Iceland. His work has been exhibited widely in solo exhibitions, most recently at Peter Blum Gallery in New York and Anglim Gilbert Gallery in San Francisco. This fall his work will be shown at Berg Contemporary in Reykjavík and Galerie Nordenhake in Berlin. Working in a reductive, monochromatic format, Zurier makes paintings in varying sizes that defy easy categorization. They aren’t provisional paintings. There is also no irony in them. Zurier’s paintings treat paint as both atmospheric light and as physical material on a surface. In “Slow Painting,” an essay recently published in A.i.A., Stephen Westfall describes the liminal quality of Zurier’s compositions: “Here and there a rectangle, a wedge shape, or a line may hold a composition, but these elements are the most refined of architectural members, meant to hold the veil or trembling membrane of color that is each painting’s keynote.” In his paintings, ambiguity is strength. In this interview, Zurier discusses silence in painting, the atmosphere of the San Marco convent in Florence, and chance operations, among other things that shape his practice.
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