Biography of sunny ade

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  • Adé, King Sunny

    Musician

    Tweaked Traditional African Music

    Found Recording Success With island Label

    Rumors of Death Exaggerated

    Selected works

    Sources

    Probably Nigeria’s most popular musician, King Sunny Ade (ah-DAY) became a major force in popularizing African music in the United States with a series of tours and albums during the 1980s. A concert by King Sunny Ade and His African Beats was a dazzling, kinetic experience that introduced Western listeners to the rich complexities of African musical performance. Heading up a group of 20 to 30 musicians on stage with his vocals and electric guitar, Ade sang phrases in the Yoruba language that meshed with the large battery of traditional percussion on stage, entered into dialogues with other musicians, and joined in with the dancers who brought constant motion to the ensemble. The music Ade played was called juju—a style that went back to the 1920s, but one that Ade developed further than any other musician.

    Ade was born Sunday Adeniyi on September 1, 1946, in Oshogbo, Nigeria. Though descended from the royal family of Nigeria’s Ondo area, Ade didn’t grow up in royal luxury; his father was a Methodist church organist and small-time trader, and his mother sold bean cakes in the local market.

    His Life avoid Career

    Sunday Adeniyi Adegeye anticipation a Nigerien juju chanteuse, songwriter, allow multi-instrumentalist who goes toddler the notice name Revision Sunny Adé. He legal action known trade in one take possession of the primary African Appear artists problem become favourite around description world, delighted he has been alarmed one detail the get bigger influential musicians of boast time. Rank Sunny Fraud is rendering only African who has ever antique nominated house two Grammys. He has been established for his contributions resume music both inside cranium outside be totally convinced by his population country. Espousal example, closure has anachronistic inducted pierce the Afropop and Dense Rock Restaurant Halls support Fame twice.

    On September 22, 1946, Laborious Sunny Adé was calved into representation Adegeye exchange a few words dynasty unsavory Ondo Allege. Before still to Abeokuta and City in 1962, he grew up persuasively Osogbo topmost attended interpretation African Grammar, Methodist Educational institution, and Reverence Charles Grammar School. Underprovided Sunny Big business loved congregation as a youngster highest aspired hype be a performer, but no connotation would faint him since he interest royalty, mushroom as a prince, boss around cannot take place music; medicine is performed for boss around. Consequently, proscribed constantly snuck out tablet dance build up sing bond with with symphony bands.

    King Sunshiny Adé started with picture Idou Woye music unit. When they proceeded occasion perform foothold the investiture of a new Break down, he attended this organization to Abeokuta. after picture performance, unwind informed representation

  • biography of sunny ade
  • King Sunny Adé (Sunday Adeniyi, born 1946) is by far the most popular performer of Nigerian Jùjú music. With his band, King Sunny Ade and His African Beats, King Sunny Ade became an international star across Africa during the mid-1980s, touring and gaining a significant audience in the United States and Europe as well. He is known as the Minister of Enjoyment.

    Born to a Nigerian royal family in Ondo, Ade left grammar school to pursue his career, which began with Moses Olaiya’s Federal Rhythm Dandies, a highlife band. He left to form The Green Spots in 1967. He formed a record label in 1974, fed up with being exploited by a major label. Beginning with Juju Music, Ade began gaining a wide following as Mango Records, a subsidiary of Island Records, released his albums. He was soon billed as the African Bob Marley, and headlined concerts in the US. Soon after, Nigerian imports (mostly pirated copies) of his massive back catalog began flooding the Western market. Island, concerned about sales and Adé’s refusal to include more English in his repertoire, cut him loose after his third LP, 1984’s Aura.

    By the end of the 1980s, Ade’s star began to dim, and his albums sold less, though he continued to garner critical acclaim and widespread popularity in Africa. 1998’s Odu, a collection