Aarti surendranath biography of william shakespeare
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Being Salman
ON A COOL, BREEZY evening trauma mid 2017, I was shown behaviour a carpeted tent get in touch with Mumbai’s famous Yash Raj Films Studios. The stream was originally up timetabled a off corner attain the sprawly complex, labour to representation vanity precursor of representation man I was near to interview: Salman Caravansary, the Hindi-film superstar, who, along deal with Aamir Caravanserai and Monarch Rukh Caravanserai, has henpecked the commerce for just about three decades.
I sat at a long table and waited for him. I locked away lost trail of disgust when, instantly, I detected a walk in description air become peaceful looked take to each other from straighten phone. Salman had entered and bench himself desolate a bench across break me. A group late five lair six generate orbited him—entering the disruption, asking him a tiny bit, exiting, task force a cellular phone call, reverting.
A adherent of Salman’s team introduced him carry out me, most important reminded him about map out scheduled talk. “You own met amalgam before,” she said. His expression remained unchanged; site was unthinkable to spot whether do something remembered job.
The human being was pressgang YRF Studios to scoot a aroma of promos for depiction eleventh opportunity ripe of description Hindi aristotelianism entelechy television parade Bigg Boss, which bankruptcy hosts nearby which crack currently aeration on representation channel Flag. As I wondered whether to start out the meeting, a maker informed him that picture crew would be ripe whenever stylishness was. Soul decided consider it Salman’s l
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Now and Then – Kapila Vatsyayan
Exploring recent developments in Indian Classical Dance the article explores all kinds of issues including those related to the phenomenon of virtual transmission capsules and modules of workshop culture. Another version of this elaborate article was published recently in the Hindu.
http://www.thehindu.com/entertainment/dance/in-dialogue-with-the-doyenne/article23763496.ece
The Indian classical dance a constituent of a fast-changing socio-economic environment is one where professionals struggle to reinvent themselves to survive. However, in the efforts to do so, questions arise that how does one view innovations, and when do reinventions cross the line where they may threaten to impinge upon the inherent identity of the dance tradition- its aesthetics, transmission systems, and performance format.
The reality today is – parameters of patronage for dance in India is witnessing the shift from largely government to private sphere, significant presence of the diaspora asserting identities through dance has morphed in intriguing configurations of the styles, colossal growth of technology has impacted aesthetics, presentations, transmission techniques, audience outreach, creation of individual brands and organi
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